Works performed by the CCO in past semesters include:

• Prokofiev, Peter and the Wolf (Tessie Prakas, Associate Professor of English, narrator)
• Mozart, Symphony No. 31 “Paris”
• Bottessini, Double Bass Concerto No. 2 (Ryan Butler, HMC ’24, soloist)
• Prokofiev, Piano Concerto No. 1 (Evelyn Chan, SCR ’25, soloist)
• Beethoven, Symphony No. 9 with the Claremont Concert Choir, Claremont Treble Singers, and Claremont Chorale, and soloists Anna Schubert, Jessie Shulman, Tim Gonzales, Ben Lowe
• Florence Price, Symphony No. 1
• Pablo Santiago Chin, A Jazz Band Concert (world premiere)
• Brahms, Tragic Overture
• Debussy, Nocturnes Nos 1 and 2
• Bizet, Suite No. 2 from L’Arlésienne
• Fauré, Requiem
• Tchaikovsky, Suite and Finale from The Swan Lake
• William Grant Still, From the Black Belt
• Florence Price, Dances in the Canebreaks
• Sibelius, Symphony No. 2
• Brahms, Symphony No. 4
• Verdi, Overture to La forza del Destino
• Wagner, Prelude to Die Meistersinger von Nürnberg
• Wagner, Prelude and Liebestod from Tristan und Isolde
• Mozart, Exsultate, jubilate (Amelia Huchley, SCR ’23, soloist)
• Saint-Saëns, Piano Concert No. 5, Mvt 1 (Catherine Wu, HMC ’22, soloist)
• Bernstein, Mambo from West Side Story
• Piazzola, Libertango
• Piazzola, Tangazo
• Price, Juba Dance from String Quartet No. 2
• Ginastera, Dances from Estancia
• Coleridge-Taylor, The Bamboula
• Márquez, Conga del fuego nuevo
• Márquez, Danzón No. 2
• Rimsky-Korsakov, Capriccio espagnol
• Falla, Danza ritual del fuego
• Saint-Saëns, Cello Concerto No. 1 (Daniel Yang, HMC ’22, soloist)
• Tchaikovsky, Symphony No. 6 “Pathétique”
• Fanny Mendelssohn, Overture in C
• Haydn, Symphony No. 100 “Military”
• Elgar, Enigma Variations
• Felix Mendelssohn, Lobgesang Symphony-Cantata
• Saint-Saëns, Danse macabre
• Fauré, Dolly
• Ravel, Ma mère l’oye Suite
• Mahler, Symphony No. 1
• Brahms, Violin Concerto (Daphne Guo, HMC ’19, soloist)
• Brahms, Variations on a Theme by Joseph Haydn
• Borodin, Symphony No. 2*
• Grieg, Piano Concerto No. 1 (Sheena Hui, CMC ’20, soloist)*
• Haydn, Te Deum, and Poulenc, Litanies à la vierge noir; with the Claremont Concert Choir and guest soloists; Prof. Charles W. Kamm, conductor
• Sibelius, Symphony No. 1*
• Tchaikovsky, Symphony No. 4
• Ruth Crawford Seeger, Rissolty-Rossolty and Andante for Strings
• Schubert, Symphony No. 3
• Mozart, Requiem (Claremont Concert Choir, Chaffey College Choir, and guest soloists)
• Beethoven, Piano Concerto No. 5, “Emperor” (Tae Ha Park, CMC ’17, soloist)
• Stravinsky, Firebird Suite (1919)
• Brahms, Symphony No. 2
• Sibelius, Pelléas och Mélisande and Finlandia
• Sarasate, Zigeunerweisen (Ellie Taw, Scripps ’18, violin solo)
• Orff, Carmina Burana (Claremont Concert Choir, Claremont Chorale, and guest soloists)
• Smetana, Vltava
• Johann Strauss II, An der schönen blauen Donau
• Lutosławski, Musique funèbre
• Beethoven, Triple Concerto with Rachel Huang, Gayle Blankenburg, and Roger Lebow
• Felix Mendelssohn, excerpts from A Midsummer Nightdream
• Joan Tower, Made in America
• Beethoven, Symphony No. 8
• Mozart, overture to Die Zauberflöte
• Vaughan Williams, Dona nobis pacem (conducted by Charles W. Kamm, Anne Harley, soprano, John Atkins, baritone)
• Mahler, Adagietto from the Fifth Symphony
• Schubert, “Unfinished” Symphony
• Schumann, 1st Movement from the Piano Concerto (Tongjia Shi, HMC’15, soloist)
• Dvořák, Selected Slavonic Folk Dances
• Bartók, Romanian Folk Dances
• Tchaikovsky, Symphony No. 2 “Little Russian”
• Mozart, Symphony No. 40
• Bruch, Violin Concerto (Melody Ko, Scripps’16, soloist)
• Bizet, Symphony in C*
• Lalo, Concerto for Violoncello and Orchestra, 1st movement (Joanne Chern, Scripps’14, soloist)*
• Schumann, Symphony No. 4*
• Liszt, Totentanz (Andrew Turner, HMC’14, soloist)*
• Brahms, Double Concerto for Violin, Violoncello and Orchestra (Annie Aqua, Scripps’14 and Stephen Pinto, HMC’14, soloists)*
• Dvorak’s Carnival Overture*
• Beethoven, Symphony No. 9, with the Claremont Concert Choir, the Claremont Chorale; Lindsay Feldmeth, Amy Fogerson, Tim Gonzales, Dean Elzinga
• Felix Mendelssohn, Symphony No. 3, “Scottish”
• Pablo Santiago Chin, In the Form of a Shell, Ysmael Reyes, soloists (world premiere)
• Haydn, Die Schöpfung (The Creation), with the Claremont Concert Choir and guest soloists; Prof. Charles W. Kamm, conductor
• Respighi, Gli uccelli (The Birds)
• Verdi, Prelude to Aida
• Mascagni, Intermezzo sinfonico from Cavalleria rusticana
• Rossini, Overture to Barber of Seville
• Brahms, Allegro non troppo from Violin Concerto in D Major (Sarah Chung, Scripps’15, soloist)
• Dvořák, Symphony No. 8
• Bizet, Farandole from L’arlésienne
• Beethoven, Symphony No. 3, “Eroica”
• Felix Mendelssohn, Fair Melusina overture
• Brahms, Ein deutsches Requiem (with Frank Strnad and Anne Harley, soloists; Charles W. Kamm, choral preparation)
• Beethoven, Egmont overture
• Brahms, Hungarian Dances Nos. 1, 3,  and 10
• Dvořák, Romance in F minor for violin and orchestra (Annie Aqua, Scripps’14, soloist)
• Beethoven, Piano Concerto No. 3, Allegro con brio (Diana Ahn, Scripps’12, soloist)
• Barber, Adagio for Strings
• Beethoven, Symphony No. 5
• Bizet, Excerpts from Carmen Suites Nos. 1 and 2
• Liszt, Hungarian Fantasy for piano and orchestra (Prof. Hao Huang, soloist)
• Grieg, Peer Gynt Suites Nos. 1 and 2
• Mozart, “Coronation” Mass, with the Claremont Concert Choir and guest soloists; Prof. Charles W. Kamm, conductor
• Robert Schumann, Symphony No. 1, “Spring”
• Camille Saint-Saëns, Introduction and Rondo Capriccioso for violin and orchestra (Yael Mayer, HMC’11, soloist)
• Tchaikovsky, Symphony No. 5
• Poulenc, Concerto for Two Pianos (Ashley Jones and Samantha Steitz, Scripps’11, soloists)
• Brahms, Academic Festival Overture
• Tchaikovsky, Romeo and Juliet Overture-Fantasy
• George Gershwin, Porgy and Bess: Symphonic Picture
• Dvořák, Symphony No. 9, “From the New World”

* Conducted by sabbatical replacement Dr. Brian Stone in 2014 and 2018.